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Djansa/Dansa: for Intermediate Djembe Drummers
Course Description
Section 1: Introduction to Djansa
Call and Response Technique
Three Accompaniments: Building the foundational grooves that support the rhythm.
Section 2: Fundamental Techniques
Four Essential Rudiments: Core drumming techniques that every player should master.
Six Accompaniment Djembe Solos: Explore how to create and complement the primary rhythm.
Section 3: Creative Expression
Five Solo Phrases: Learn various improvisational phrases that can be woven into your playing.
Unison Break: An opportunity to synchronize and create dynamic interplay within the ensemble.
Section 4: Ensemble Play
Three Dun-Dun Accompaniments: Integrating the supporting rhythms of the dun-dun.
Demonstration of All Material: A comprehensive review showcasing all techniques and rhythms learned.
Historical Context
Origin of Djansa
Djansa originates from Kita, Mali, a vibrant town located in the Kayes Region. Kita is not only the capital of the Kita Cercle but also a significant cultural hub known for its music, annual Roman Catholic pilgrimage, and its role in the cotton and peanut industry. Situated on the Dakar-Niger Railway, it serves as a vital transit point between Bamako and Kayes. As of the 2009 census, Kita had a population of 48,947.
In 1955, Kita became a commune with moderate governance, and by 1966 it achieved full municipal status. Although the town flourished during the cotton boom of the 1990s, the industry has since experienced a decline.
Understanding the Rhythm: Dansa
The primary dun-dun phrase presented here, played on the Sangban, is integral to the Djansa rhythm as performed in Kayes. While there are numerous sections and transitions within Djansa, our focus will be on a segment known as "Sandagundo," which is particularly popular in Bamako, the capital of Mali.
While you can play the solo for Djansa on the djembe, it is traditionally performed on the Djeli Dundun. This lightweight bass drum, worn over the shoulder, is similar in size to a Sangban but is headed with goat skin rather than cow hide. It is played with a curved stick and accompanied by the Djeli Bell, a conical-shaped bell played with one hand. The Djeli Dundun produces a loud, attacking sound, serving as a solo instrument with a role akin to that of the djembe.
A cultural moment known as Jansali occurs during celebrations when individuals present gifts to express gratitude or share criticisms with the hosting family. This concept has extended into everyday language; when people say, "There is a Jansali in this family," it signifies that a celebration is underway. This tradition likely influenced the use of the name Dansa.
Rhythmic Structure
Binary Rhythm: Each beat is subdivided into four parts, creating a complex and engaging framework for players.
Swing Feel: In practice, the second and fourth sixteenth notes are slightly delayed, generating a swing feel reminiscent of jazz shuffles. This swinging groove is a defining characteristic of Dansa, infusing the rhythm with vitality and energy.
By the end of this course, you will not only have a deeper understanding of the Djansa rhythm but also the confidence to improvise and express yourself through the djembe.
As a grand finale, we’ll host a celebratory Drum Circle March 8th 2-4pm, see all details here. This will be a wonderful opportunity to showcase your unique drumming voice in a vibrant community setting, all under Tim’s expert guidance.
Stay tuned for an unforgettable experience filled with rhythm, connection, and joy!
For those seeking to further enhance their skills, Tim also offers private lessons to help you master your drumming techniques. Book a Free intro lesson Here
*** Pre-requisite: Level 1 or permission from the teacher. Message Timothy directly Here with any questions ***
Join our eight-week group class
Every Tuesday, 6 PM - 7 PM | Jan 14th - March 4th 2025